Having recently returned home as a graduate of Politics, Philosophy and Economics from the University of York I've had to adjust to life back in Gloucestershire and reassess the photographic opportunities available in the local area. With a fresh photographers outlook several otherwise forgotten or passed by locations immediately jumped out as possibilities for a spot of Stobist/Joey L style dramatic off-camera lighting, the best of which involved my shed! I managed to employ my brothers and their slightly disorientated friends as the talent and whisked them off into the recently emptied shed studio to try out some shots. The “studio” had a very distressed feel about it with moldy slightly crumbling brickwork making for a nice grungy backdrop, with nesting swallows providing extra 'grittiness' by covering the place in droppings... a perfect backdrop for some moody off-camera lighting.
The portraits where lit using a large 39” soft box umbrella high slightly left above the camera, an additional bare strobe providing a rim light far camera left at about 45° facing back towards the models. I originally planned to have two rim lights but my 3rd strobe failed on me and I had to make do. To counter this imbalance I placed the shorter of the two models a half-step in front of the larger so that the rim light from the left would hit both models left sides. The difference in height of the models counterbalances the models distances from the camera and by shooting 2/3 body shots the effect is complete.
The strobes used are my trusty £15 Sunpak auto 30DX strobes fitted with Ebay PT-04 radio triggers. These are early 1980's work horses that have full manual controls and can still be found on Ebay far more cheaply that the much lauded Vivitar 285HV's or the early Nikon SB flash guns.
All the images shot at 1/250 of a second at f8 to make sure that I caught the fast movements of the models jumping about and to make sure the depth of field was large enough to pick put the details of the grungy brickwork. All processing happened in Adobe Lightroom 2 using settings that I've made into a preset which can be downloaded HERE. The main tweaks involve heavy vignettes, a soft brown highlight tweak (using the split tone function of Lightroom ) and increased fill light and black levels to further increase the grungy quality of the moldy walls.
The shoot was a lot of fun and has really opened my eyes to the array of photographic possibilities that are right under my nose. More experiments to come shortly methinks. You can view a gallery of the more successful images from the shoot HERE, let me know what you think!


